Showing posts with label Newbery winner. Show all posts
Showing posts with label Newbery winner. Show all posts

Wednesday, May 1, 2013

The Book Review Club - The One and Only Ivan

The One and Only Ivan
Katherine Applegate
middle grade

Let me say right off the bat that I really enjoyed this book. Really enjoyed it. There were some craft aspects I had my issues with, but the the emotional connection was so complete, it was impossible to walk away from the story unchanged. 

Basic plot - a silverback gorilla, Ivan, struggles to find a way to transfer a new, baby elephant, Ruby, that's been added to the circus mall where Ivan lives to a zoo.

The story is very loosely based on a real silverback gorilla named Ivan who lived in capitivity in a mall for almost 30 years. During that time, our understanding of primate needs grew exponentially until public unrest pressured Ivan's owners to put him on permanent loan to the Atlanta Zoo. Consequently, there's real behind the fiction.

Applegate does an amazing job of creating Ivan's world, bringing unspoken depths to his and the other characters' emotions, and bringing the audience into the world of captive animals. Ivan seems so very real. He has friends - a dog and an older elephant. He has animals he doesn't care for - a poodle. He's well-rounded emotionally. He also has an artistic side that ultimately helps save Ruby. I won't say how. No spoilers! Here is a very character driven story.

Yet, from a craft perspective, I had a little trouble getting through the very beginning of the story. It is intensely introspective and, at times, well, a bit of an expository dump. In Applegate's defense, she somehow had to build the story around this gorilla, but there was a lot of terminology and backstory in the beginning that got a little long. I did listen to this on tape, so length may shorten if one is reading. Still, as a writer, I wondered how the section got left as is. There had to have been a way to change it up some, to add some action to the telling, telling, telling.

On the upside, there is hope fellow writers. One does not have to create a perfectly crafted piece to create a perfectly amazing one.

For other great reads, saunter over to Barrie Summy's website. It's loaded with temptations!

Wednesday, February 2, 2011

The Book Review Club - Moon over Manifest

Moon over Manifest
Clare Venderpool
middle grade

When a book wins an award as prestigious as the Newbery, I am burning with curiosity to read it. Can I learn something new? Any tricks of the trade hidden amongst the pages? Character development done in a new way? And what didn't work? Because we writers are all human and we make mistakes, but how does an award-winner make mistakes and make the piece still work?

With great anticipation, I downloaded Moon over Manifest to my new iPad. Yes, the virgin iPad read was a Newbery.

Basic plot summary - Abilene Tucker is sent to the town of Manifest by her father to live indefinitely while he works the railroad during the Great Depression. There, she learns the town's past, as well as her father's, which redeems Abilene and her father's relationship, heals old wounds, and rejuvenates a tired town.

There is a lot to like and to learn from in this book. Vanderpool does an amazing job of weaving multiple different storytelling patterns together to create her story. There is Abilene's narrative, the Hungarian woman's, and letters from Ned to Jinx, and the newspaper clippings. If a writer has to skip back and forth in time, this method of using multiple perspectives to fill in backstory is pretty creative and works well because it keeps the process of storytelling fresh.

There were a few things I wasn't so sure about. First, this is the first book I've read that I found myself editing as I went along. Now, this may be a side effect of an intensive MFA program, but I found this piece, while well-crafted, nevertheless hastily edited. There were extra words, poorly worded phrases, whole sentences that needed to be honed. I wondered if this is a sign of the increasingly crunched time of editors, or my better-trained internal ear, or both. Either way, the result was that these spots pulled me out of story and made me stumble in my reading.

Second, the character of Jinx gave me some trouble. He is in the 1918 story the Hungarian woman tells Abilene about the town of Manifest. We learn early on that Abilene hopes it is her father. As the reader, we are pretty certain it is her father. By taking away this element of surprise, the flashback story deflates. It is still interesting to read but then it just becomes a way for Abilene to learn more about her dad.

Finally, Abilene's internal growth seems fairly limited. True, she has to do physical labor for the Hungarian woman to learn the story of her father, but her processing of what she learns seems pretty minimal. I wanted her to have to struggle more, to grow internally. For me, she feels like much the same kid at the end of the story as she was at the beginning, just with more information about her dad. She didn't feel too damaged when she arrived, and she integrated herself well into the town while she was there. She didn't make any enemies. She made friends. She helped various characters. She realized what was her father's shortcoming and how to fix it, but that isn't the same as internal growth that the character herself needs.

All questions aside, if you are looking for a Katherine Paterson-like read, pick up Moon over Manifest. You won't cry (this is not something I consider a bad thing. I get weary of books that make me cry). You will enjoy the historical flashback and multi-layered storytelling technique that weave together a story about healing a father-daughter relationship.

And for more great reads, hop over to Barrie Summy's website. It's chalked full with winter wonders!